Egyptian art Essay

Egyptian trick is one of the most fascinating topics in twain ancient graphics and ancient history. As a culture, the Egyptians truly represented themselves through their prowess and as a result produced a system of excogitate that is rivaled only by the Renaissance. In the two reliefs pictured, the Egyptian idol is pictured. This comp bes to the palette of King Narmer and the tomb of Ti in Saqqara. One function that we apprise say about Egyptian finesse is that it does not form much over time. This can cl archeozoic be seen in the boilers suit modal value of both of the reliefs pictured.One was through with(p) during the Sixth Dynasty and the other was done during the First Intermediate Period. The similarities in style are marked. From the stylized arrest of the head to the way the arms and body are drawn, the similarities are striking. This is compared with the pallette of King Narmer, which is from the Predynastic period. The same stylized tokens are displayed in this palette as in the two reliefs. Even in the tomb word picture of Ti at Saqqara, one sees the same stylized images in living color.When we timber at the Portrait of NiAnkhesut, one sees a relief image of a male wearing a headdress of non-noble bearing. He is in addition wearing a necklace, though we cannot see much detail. Our subject is seated, and supra him we see some Egyptian hieroglyphics. These are probably cartouche in nature, that is, they reflect the subjects name and rank within Egyptian society. The relief is composed in limestone, which was the primary building material of the time. The funerary Stele of Iamu is another typical work of Egyptian art. Like the portrait, it is as well composed limestone, but in this case, it tells a story.The Egyptians took their futurity traditions and rituals very mischievously and to that end, made sure the story of the deceaseds life and afterlife was told in detail. In this case, the tale being told is that of death. This rel ief argues the funerary rites as they are performed as well as hieroglyphics that explain what exactly is acquittance on. In this case, the relief shows the process involved in serving the police captain and in creating the facade that is the Egyptian afterlife. Both of these reliefs contrast to the Narmer Palette. This is a bilateral object that is arrowhead shaped.Many archeologists feel as though it shows the dominance of stop number Egypt over Lower Egypt. Narmer is claimd to be a mythical god-king who presumably joined Upper and Lower Egypt. Narmer is displayed conspicuously on both sides of the palette, and while on that point are some themes that are common in Mesopotamian art, in that respect are aspects that are uniquely Egyptian. The partial profiling of the figure with the front come across of the hands is Egyptian in and of itself and shows that Egyptian art had a style all its experience change surface at the early juncture of its history.This palette also tel ls a story, that is, it tells the bloody story of the unification of the two split of Egypt. This is also a theme that is indicative to Egyptian art. The nature of the storytelling that separately piece tells shows that the Egyptians are very much interested in masking their own story and history through their art. Even at this early juncture, they saw art as a means of cultural transmission, and apply it effectively to create the story of their own beginnings. Finally, the last piece of art is the tomb of Ti at Saqqara. This piece of art is unlike the others, in the fact that it still retains its original color.In this scene, we see who we can presume is Ti sailing on the Nile that is overflowing with fish and other oceanic life. He is with other warriors and is presumably hunting hippopotami and birds in the marshes. Again, the relief is passing stylized with no variations in the human form. As with the other reliefs noticed, there are no variations in the human form. Each p erson looks about identical to the last, and the only way that one would know the difference amid the various people is by expression at their cartouche or knowing what tomb one is in.It is even difficult to tell who is who in the relief images without the help of the hieroglyphic writing. What are the ways we tell who is who in the various relief pictures that we are exposed to in Egyptian art? One of the major ways that we can tell is by looking at the size of the person that is displayed. What does this tell us? What it says is that the largest person in the picture is usually is the main subject of the tomb or the hieroglyphics. The smaller figures are usually minor players or servants. Even spouses are sometimes displayed smaller in respect to the main figures.The main protagonist of the painting or relief is prominently displayed with the accompanying cartouche and tomb literary productions more than capably tell who is who in the grand story. If we look at the portrait o f NiAnkhesut, we see that he is the largest figure in the relief. In the Funerary Stele of Iamu, we see that Iamu is most prominently displayed. Again, both of these examples show the casual observer who is the prominent figure in the relief. Additionally, the cartouche and the tomb writings show us easily who is the main protagonist.In the Narmer palette, Narmer is prominently displayed on one side of the palette, taking up nearly the constitutional side. This is the most telling sign of Egyptian art and victory of the figure. By making King Narmer the largest figure in the palette, the artist is showing the supremacy and the importance of Narmer in the history of Egypt. What can we make up ones mind from Egyptian art? We can learn that this group created a fascinating body of work that has permeated the world in which not only they lived, but we live as well. Without the Egyptians, we would not have modern portrait art and the art of realism that exists today.Though Egyptian ar t is highly stylized, we see shades of ourselves in their work. All cultures can look to the Egyptians for their own inspiration for their own art and culture. Each culture took from the Egyptians to form their own unique art forms and their own stylizations and themes. As a modern culture, we can look to the Egyptians for inspiration for the future, and we can look for them to reinforce our past so we can continue to learn more about the fascinating culture that continues to affect us even today.